Simon Mr Specs Murray |
I’m a bit of a movie buff so when I saw
recruitment ads for background actors to shoot the epic Marco Polo here, I was absolutely thrilled. The company using Pinewood Iskandar Malaysia
Studios in Nusajaya to film the historical drama TV series was seeking extras
for the cast. Suddenly it’s as if the
movie world has moved to our very doorstep!
I later learnt that the project was
completed successfully and the TV series is on schedule to be screened later
this year. This is why I was surprised
when a friend wanted me to meet Simon Murray, the key crowd costumier on the Marco Polo project. He is still in JB and had volunteered to do a
charity project at a recent craft fair.
I was told that Murray has one of the
biggest private collections of spectacles which he loans and made for films and
television. Some of his handmade glasses
which he brought along were used for blockbuster movies like Star Wars, James
Bond, Mission Impossible, Harry Potter and Batman, and he was keen to show them
to me! Intrigued, I quickly arranged to
meet him.
Simon Murray, who has created many famous bespectacled characters on screen, shows Peggy Loh his collection: He's the man behind many iconic bespectacled characters in moviedom.
Simon
Murray, 58, the key crowd costumier on the recently completed Marco Polo epic
shot at Pinewood Iskandar Malaysia Studios in Nusajaya, Johor, has one of the
biggest private collections of spectacles which he loans and customises for
films and television.
Some of
his handmade glasses which he brought with him on his trip here, were used for
blockbuster movies like Star Wars, James Bond, Mission Impossible, Harry Potter
and Batman.
Murray,
fondly known as Mr Specs, is also passionate about fund-raising. He has a charity project to get every
celebrity he has worked with, to design a pair of spectacle frames that best
describe themselves to raise funds for Breast Cancer Research and Fight for Sight
charities in the UK. When we met, I find
out that Murray is dyslexic. But even though he has a reading disorder (he has
only read one book in his life!) he has no difficulty recalling dates, names and lots of
movies.
CREATIVE
FAMILY
Born in
London to silversmith Michael Bryan Murray and ballerina opera singer Rosemary
Veber, Murray, is the second of three sons and two daughters. His father’s clients included the Queen
Mother and his commissioned works had been installed in churches like Holy Rood
Oxford, Coventry Cathedral, Guildford Cathedral and Westminster Abbey.
Brought
up in a creative environment, Murray was often in his father’s workshop to lend
a hand in crafting items. He was a
student at Holloway County Public School and at 10, he was diagnosed as
dyslexic. He left school at 15 and
vividly recalls that day when he walked across the playground and thought to
himself: “I’m going to be famous for something one day!” It was not just
wishful thinking because his determination to excel turned into reality and the
BBC has done documentaries on six of his family members who have established
reputations in the world of art and advertising.
The cover of his coffee table book, Fashion Spectacles Spectacular Fashion |
In the
humble beginning of his career, he polished shoes before going on to work with
senior costumiers. One day an actor asked
Murray: “Are you taking this up as a career?” Murray was convinced that he
wanted a career in costumes because the actor told him, 60 per cent of a
character depends on the costume. That
actor was Sir Lawrence Olivier.
Working
with Michael Douglas on the, Jewel Of The Nile, marked a milestone in his
career and he dedicated his coffee-table book, Fashion Spectacles Spectacular
Fashion, a collaborative project with Nicky Albrechtsen, to Douglas, his friend
and mentor.
Murray
is very much self-taught and he lives by his motto, “You can dream and be
awake.” He explained that the reason why he talks so much is because if he lets
others talk, they will talk about things that are out of his world. So talking non-stop is his way of maintaining
control and motivating himself because once he has said it, he will be driven
to do it.
HOW IT
STARTED
The writer with Simon Murray in JB |
In
1984, in the Apple Macintosh commercial directed by Ridley Scott, Murray the
costumier observed that the Big Brother-like character wore two pairs of
spectacles, and he recognised the demand for optical props among film companies
and costume designers. This sparked off
a keen interest to collect spectacles and sunglasses from every decade and he
began to forge relationships with the world’s leading eyewear companies.
With a
vast collection of eyewear that includes vintage glasses dating back to 1790,
he established his company, Onspec Ontic in 1987. By supplying to the film, television and
advertising industries he successfully turned an optical appliance into a
fashion accessory.
“A pair
of spectacle frames can change a person’s perception or reinforce an existing
feeling or belief the viewer has about a particular character,” said Murray.
Original
frames in Murray’s collection have been worn in period dramas or appeared on
films, theatre productions and commercials either on loan or specifically
designed and handmade for key characters.
A collection of vintage spectacles against the signatures of team JDT FC, the Southern Tigers |
Murray
showed me the glasses used by Daniel Radcliffe in his role as Harry Potter and
told me he met children who said they wear glasses because of Harry
Potter. Because Radcliff has sensitive
skin and was allergic to metal, the spectacles were specially made for him in
rolled gold in various sizes.
Recently
Murray met the Southern Tigers from team Johor Darul Takzim FC and felt a
strong connection with them because the three stars in the club’s crest mirrors
the three stars in the Murray family’s coat of arms.
And when I asked him who he would like to
design spectacles frames for, Murray promptly replied: “The Johor Sultan!”
SPECS TRIVIA
•
American actor Harold Lloyd was credited with making spectacles popular for
everyday wear, particularly af ter he spor ted horn-rimmed frames for his
signature suit-clad, bespectacled character in the 1917 silent movie comedy,
Over The Fence.
•
Actors wore protective glasses on-set to shield their eyes from bright studio
lights and when they wore them off-set, apparently to hide their bloodshot
eyes, they made sunglasses seem stylish and glamorous.
• The
harlequin or cat’s eyes frames were perfect for actress Lucille Ball in the
popular 1950s sitcom, I Love Lucy, who played a character that was both comic
and elegant.
• Since
the 1940s the mirrored pilots’ Aviator frames with anti-glare, was a military
issue until decades later when Tom Cruise in 1986 film, Top Gun, made this
style popular.
• The
spectacles for Johnny Depp in the 2012 movie, Dark Shadows, was the most
difficult pair of spectacles that Murray ever made because it was designed with
“D” shaped blue lens with matching shaped side lens and no nose pads.
•
Spectacles that Jude Law wore in the 2012 movie, Anna Karenina, was made of
solid gold and he had a bodyguard to keep them secure during filming.
•
Murray said all Bond fans wanted a pair of the special Q-branch sunglasses with
X-ray features designed with blue tinted lens that James Bond (Pierce Brosnan)
wore in the 1999 movie, The World Is Not Enough, because it could see through
clothes!
A version of this article was published in The New Straits Times, Life & Times on 25 Oct 2014
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