A week
before our national day, I was walking along Johor Baru’s Jalan Ibrahim to go
to an event at Eh He gallery but when I reached its front door, my path was
blocked by a crane truck with its boom raised against the wall of the building.
Artist See Poh Chen, calling out directions to the crane operator to adjust the boom! |
I looked
up and spotted artist See Poh Chen on the platform, calling out directions to
the crane operator who was working hard to adjust the boom’s position to let
her continue painting her wall mural.
I
recognized her design with mythical birds and whales and the familiar figure of
a little girl wearing red and a blindfold from her mural painted on a wall
within Eh He but here, the little girl was holding a huge bunch of coloured
balloons. My curiosity increased when I
spotted yet another wall mural rendered in a dramatically different style on
the wall of the corner shop across the road.
I got
hold of Eh He’s Art Director, Yap Leong, who is also See’s husband, who filled
me in on what he and his artistic team have been doing for the Petronas #tanahairku
project. From where we stood, he pointed
to another wall mural on the UMNO building at Jalan Segget and told me that several
local artists have also been commissioned to complete their wall murals at four
other sites in JB’s heritage area in time for the official launch before the
national day.
#tanahairku
JB
In the
days before the Petronas launch event, I read a few Facebook posts with curious
questions about the wall murals on several buildings in the heart of the
city. Photos of these artwork on
familiar streets was stirring up interest and I patiently waited for the launch
event to get a clearer picture of what was happening to our city walls.
Kita Jaga Sama-sama by Taib Aur and Jeps |
Then I
met with the artists who shared their thoughts about the artwork they had to
complete in a short space of time. When
the artists took me on a walk to look at their wall art, I learnt more about
the artworks for the #tanahairku project that portrayed the artists’ personal
reflections of Merdeka and its meaning to them.
Taib
Abdul Razak, better known as Taib Aur, a founding member of the Johor Sketchers, teamed up with Jefri Abdul (Jeps), to create their wall art on the
wall of The Fitting Room at the corner of Jalan Ibrahim and Jalan Trus. Entitled, Kita
Jaga Sama-sama, this literally translates as “we protect together.” Their creative expression is boldly
illustrated by a gigantic pair of hands holding twin towers of colourful Lego
bricks that represent the National and the Johor flags.
“JB is
the home to the first Legoland Park in Asia so we decided to include the iconic
Lego bricks in our design,” said Taib who explained that their design depicts a
legacy of a nation and its state which in reality, is no child’s play. It rests in the hands of its people. With Malaysia’s rich multi-racial landscape,
the need to protect the peace and harmony in our nation is crucial.
Magical Land by the Eh He team led by Yap Leong and See Poh Chen |
Directly
opposite, the façade of the Eh He building was covered in an intricate design
with mythical birds and whales, and icons of the main ethnic groups featuring
the familiar figure of a little girl wearing a red dress and a blindfold. Magical
Land, the artwork by the Eh He team led by Yap Leong and See Poh Chen,
tells the story of a girl’s journey into a captivating world where different
cultures and traditions merge in a unique identity we call Malaysian.
“The
little girl is wearing a blindfold so as to listen more intently and begin to
appreciate each other’s beauty in diversity,” said Yap who aims to remind
viewers to learn from each other and work towards building a beautiful homeland
where all can live in peace and harmony.
Bahtera Merdeka by Snake Two and Cuz One |
Two blocks
down Jalan Trus where the road meets Jalan Dhoby, I see the artwork on the wall
of Roost Juice Bar by Muhammad Abqari Ahmad Shakri who goes by the moniker,
Snake Two, and Muhammad Azri Zahri or Cuz One.
Entitled, Bahtera Merdeka, the
image of a war ship dubbed Merdeka, was
sailing through obstacles and riding over waves of challenges to achieve
independence, as a tribute to Malaysia’s naval heritage. The ship is painted against a background of
the Port of Tanjung Pelepas while the adjacent wall is covered by the outlines
of a nautical map.
From
where we were standing on Jalan Trus, the artists Iqbal Hareez Osman and Cheong
Jiun Wei pointed to their towering piece of artwork that featured the profile
of a roaring tiger painted on the UMNO Building at Jalan Segget. They explained that their artwork, The Tiger Roars, with an eye-catching
roaring tiger, is a symbol of a sovereign nation, surrounded by modern development
while it stands tall protecting the nation, undeterred by any challenges.
Just a
few steps further up Jalan Trus, the wall of an old City Council building
diagonally opposite Hua Mui restaurant has been transformed by the artwork by
Muhammad Danial Awang Samad (Nellaone) and Iskandar Noor Rahim (Akeem). The art entitled, Muafakat, depicts two children hanging out clothes while their
mother is looking out from an upstairs window.
The traditional costumes they have hung out represent the 3 main race
groups in this nation, all hanging on a clothes line that aptly portrays the
concept of Muafakat where each race is irrevocably linked together!
Social
Cohesion
The
national oil company, Petronas, has earned a reputation for their memorable
festive TV commercials and I have my favourites by award-winning film director,
writer and scriptwriter, the late Yasmin Ahmad.
The Tiger Roars by Iqbal Hareez Osman and Cheong Jiun Wei |
For
the past two decades, Petronas has brought Malaysians together through
heart-warming TV commercials that crosses cultural barriers and this year the
spirit of National and Malaysia Day 2015 is celebrated by promoting love for
the nation through the #tanahairku 2015 project in Johor, Sabah and Sarawak. A total of 22 street artists have been
commissioned to paint 10 selected walls in JB, Kota Kinabalu and Kuching.
Staying
true to its commitment towards promoting social cohesion, the campaign this
year also included a web-film and TV commercial entitled, akrab. Directed by Johorean,
Quek Shio Chuan, this web-film set in 1957 about three boys, highlighted the
value of friendship and perseverance – two elements that contribute to unity in
a multi-racial community. The cast was
introduced to the audience after this highly anticipated web-film premiered at
the event.
“Through
the National and Malaysia Day 2015 campaign, we hope to present Malaysia as a
unique melting pot of cultures and traditions,” said Petronas Senior General
Manager of Group Strategic Communications, Liz Kamaruddin.
“We
strongly believe that the common values we share are what makes us Malaysians,
a message we hope will come through in this campaign,” she added.
#tanahairku
project
Conceived
in 2013, this is the third edition of the project by Petronas to celebrate
Malaysia’s independence and emphasise its significance among the youth of the
country. The inspiration for this
project was Tanah Air, a 1956 poem by National Poet Laureate, Usman Awang. This poem was essentially an ode to the
motherland, an expression of unbounded love for the country and the optimism of
a nation on the verge of independence.
Muafakat by Nellaone and Akeem |
In recent
years, societies around the world have moved from regarding street art as a
public nuisance to embracing it as a cultural asset that also rescues heritage
areas from decay and deterioration.
Petronas is aware that one of the main appeals of street art is its
accessibility to people from all walks of life and there is no admission
charge.
Street art is used as a medium
to reach out and stir conversation because creative expressions have the power
to transform people’s behaviours and serves as a subtle reminder to the younger
generation as to what makes Malaysia special.
“I
trust that the Petronas #tanahairku campaign will encourage the generations
born after our nation’s independence to feel a sense of patriotism,” said State
Domestic Trade, Consumerism and Tourism exco Datuk Tee Siew Keong, at the
launch of the project in JB.
He
was particularly pleased that the five sites picked for street art by Johor
artists will add value to the city attractions in the heritage area and one of
the illustrations even has an inspiring quote by Johor-born National Poet
Laureate, Usman Awang, “Kerna kita satu
sama dipunyai.”
A version of this was published in The New Sunday Times, Life & Times on 27 Sept 2015
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