The
144th Johor Chingay festival went down in history as the very first time the
Johor Chingay street parade was graced by a Johor Sultan, Sultan Ibrahim Sultan
Iskandar.
A section of the annual Johor Chingay viewed from the grandstand set up along its route along Jalan Wong Ah Fook |
While the street parade originated as a religious tradition of the Johor Gu Miao or Old Temple, it has evolved into a cultural carnival and award-winning tourist attraction.
This
spectacular show is now held on such a grand scale that it is a major heritage
event with foreign media coverage as well as university researchers from China,
Japan, Taiwan and Hong Kong coming to witness and learn more about this annual
tradition.
The Chinese, who lost most of their culture and traditions during their Cultural Revolution, are thrilled that this annual tradition have been kept in Johor since the 1800s without interruption except once during the Japanese invasion in 1942.
The Johor Chingay was honoured as the
Best Domestic Event in the 2009 Johor Tourism Awards and recognised as a
National Cultural Heritage in 2012.
Devotees rocking the sedan chair of a temple deity during the Johor Chingay |
As a child, I used to watch this street parade from the upstairs windows of our grandfather's house at No. 154, Jalan Ngee Heng, captivated by the colourful costumes, floats, acrobatic stunts, big-headed dolls, swirling dragon and lion dancers, prancing to the sound of crashing cymbals and thundering drums.
It was then a religious parade where temple deities were traditionally taken on an annual tour to bless the town with peace and harmony, good weather for the cultivation of gambier and to celebrate good harvests.
While researching to write about this annual tradition, I delved into historic records in the Johor Baru Chinese Heritage Museum and joined the dots that linked the Chinese immigrant community to the Johor royal family.
While researching to write about this annual tradition, I delved into historic records in the Johor Baru Chinese Heritage Museum and joined the dots that linked the Chinese immigrant community to the Johor royal family.
I visited the Johor Old Temple and the
Chinese Hall of the Sultan Abu Bakar Royal Palace Museum where I saw the two
sets of Chinese couplets presented by the Chinese community leaders at the
inauguration of the Johor sultanate, and a clearer picture of the strong
relationship between the Chinese and Malay communities in Johor since the 1800s,
emerged.
Kangchu
System
Ancient chop of the Gambier & Pepper Society in an exhibit at the JB Chinese Heritage Museum |
This
unique relationship started when Temenggong Daeng Ibrahim invited Chinese
planters in Singapore and the Riau Islands to open up land in Johor to
cultivate pepper and gambier.
At that
time,
gambier plantations were successfully run in Singapore and Riau but after being
cultivated for 10 to 15 years, the land was exhausted and infertile.
So when Temenggong Ibrahim invited them to
move to Johor, the Chinese were ready to relocate.
Immigrant
Chinese with a strong pioneering spirit, were attracted to the prospect of huge
tracts of land, just waiting for them to clear for cultivation under the kangchu or River Master system. Under this administration, planters who
arrived in Johor, obtained a permit known as, surat sungai, from the ruler.
Dragon dancers take a break from dancing in the street parade |
The
kangchu or River Master were permit holders who could collect taxes and govern
Chinese communities on their land along the rivers.
While
kang means “river” in Teochew dialect, a kangkar was the disembarking point, usually its middle or upper
reaches along the river.
The
Chinese accepted the Johor ruler’s permits to start plantations here and they
arrived by cargo-carrying barges or tongkang
through the Segget River.
In 1844, the
Teochew Ngee Heng kongxi or society,
led by Tan Kee Soon was the dominant Chinese clan who made Johor their new home
and settled mainly in Kangkar Tebrau.
Besides Tan Kee Soon, some of Johor’s prominent kangchu’s were Tan Hiok
Nee, Lim Ah Siang and Wong Ah Fook.
Established
in 1855, Iskandar Puteri, former name of Johor Baru, was then a frontier
outpost with a few huts near the river, occupied by fishermen and
charcoal-makers. Surrounded by jungle
and mangrove forests, a flagpole flying the Johor flag near a police post on a
hill represented the presence of a government.
If
you have been to the Sultan Abu Bakar Royal Palace Museum you may have seen the
Sultan’s hunting trophies for an idea of the types of wild animals the once roamed
the dense Johor jungles.
So besides
being confronted by elephants and tigers, immigrants lost their lives to
strange diseases and the harsh environment as they braved physical challenges
to clear the jungles through the rivers into the interior to open up land in
Johor for cultivation.
Pepper
& Gambier
Gambier is a tropical shrub that can
grow up to about 2 meters in height and has oval shaped leaves that can grow up
to 8 or 14 cm in length.
In plantations,
pepper and gambier plants were usually planted together as these plants share a
symbiotic relationship and tend to grow entwined around each other. The remains of gambier leaves on the ground
act as nutrients or fertilizers for pepper plants while protecting the pepper
plant roots.
The ancient pepper & gambier is also adopted by the Johor Baru City Council and used on its crest |
Plantations in Johor sold
their gambier to businessmen in Singapore, the main centre for trade in
collecting and exporting the gambier produce, until the dawn of the 20th
century.
Pepper
and gambier earned a place of honour in Johor because their widespread cultivation
played a vital role in boosting the state’s economy in the 1800’s.
With Europe as a major market, the peak of
the gambier trade lasted from the 1830s to 1850s when Johor was the world’s
largest producer of gambier.
Before the
invention of chemical dyes, the juice from gambier leaves was widely used for
leather tanning and cloth dyeing. This
industry put Johor on the world map and brought wealth to the local community.
As
wealth poured into the state coffers, Chinese planters gave gambier its
nickname, gam mi (Mandarin) meaning,
“golden honey.”
Traders of the state’s
main economy crops formed an association called the Gambier & Pepper
Society. When I looked closer at the
society’s ancient chop in a museum exhibition, I saw English, Jawi and Chinese words
and characters and how the present day pepper and gambier motif was probably
inspired by this original design.
This
iconic motif of intertwined sprigs of pepper and gambier plants has been
adopted by the state and used consistently on royal regalia, official crests
and as part of the decor on public buildings and on lamp-posts along
expressways.
Johor
Ngee Heng
Settlers
from the Teochew, Hainanese, Hakka, Cantonese and Hokkien clans came to Johor
not only with their culture and farming skills but also brought along their own
brand of justice, gangsterism and vice.
After a period of anarchy, the clans finally agreed to surrender their
secret society activities.
Devotees in front of the Johor Old Temple at Jalan Trus during the annual Chingay festival |
The Johor Ngee Heng kongsi played a significant role in helping Temenggong Ibrahim
settle the unrest in Muar.
His son, Maharajah
Abu Bakar, who succeeded Temenggong Ibrahim in 1862 tapped on the strength and
spirit of brotherhood of this society and appointed Tan Hiok Nee, then leader
of the Johor Ngee Heng society, as Major China of Johor in 1870 as
well as Council of State, to look after Chinese community affairs.
In
1873 this society was legalised by Maharajah Abu Bakar who ascended the throne
as Sultan Abu Bakar in 1885.
This
society continued to evolve in its duties with the immigrant community and was
the forerunner of the present day JB Tiong Hua Association.
When Johor became part of the Unfederated
Malay States under the British colonial authority in 1914, the kangchu system
was abolished and the Johor Ngee Heng kongsi was disbanded.
Tan
Hiok Nee and the Johor Ngee Heng society contributed so significantly to Johor
history that their names have been adopted as road names in the city.
Jalan Tan Hiok Nee is now transformed into
Tan Hiok Nee Heritage Walk, a popular hipster destination, while Jalan Ngee Heng,
where I grew up in our grandfather’s house, is where hotels, restaurants and
medical centres, continue to thrive.
Old
Temple
As
a benevolent ruler, Sultan Abu Bakar continued the goodwill relationship
started by Temenggong Ibrahim and encouraged the Chinese community to live in
peace. He played a role in uniting the
Chinese by providing them with land to build their place of worship and for
their burial.
Facade of the Johor Old Temple viewed from its forecourt |
In
the late 19th century, a group of Chinese community leaders led by
Tan Hiok Nee, built the Johor Old Temple at Jalan Trus.
Unlike other Chinese temples that
are named after the deity it is dedicated to, the Johor Old Temple is believed
to be the first Chinese temple in Malaysia to be named after a State.
The word, “Johor” in the temple’s name is
attributed to the strong relationship between the Johor ruler and the Chinese
immigrant community.
It
is also known as the Temple of Unity as it uniquely houses the five deities
worshipped by the five main Chinese clans, under-one-roof.
This temple united the Johor Chinese
community in worship of their deities, “Zhao Da Yuan Shuai” (Hainanese), “Hua
Guang Da Di” (Cantonese), “Gan Tian Da Di” (Hakka), “Hong Xian Da Di” (Hokkien)
and “Yuan Tian Shang Di” (Teochew). The
temple is managed by a committee in the Johor Baru Tiong Hua Association.
Street
Parade
The
spectacular Johor Chingay street parade is an annual tradition of the Johor Old
Temple, so Chinese New Year celebrations in JB does not end with Chap Goh Meh,
the 15th day of the first lunar month because the festivities
continue until the Chingay festival is over.
Throngs of devotees outside Xin Gong |
The
celebrations begin with a Lighting-up ceremony at Xing Gong, a temporary shrine at Jalan Ulu Ayer Molek for the
temple deities.
Two days ahead of the
street parade, a group of devotees will walk the streets sounding gongs in a
symbolic Street Washing ceremony, a ritual cleansing of the route in
preparation for the temple deities’ annual tour of the city.
This ceremony somehow triggers off rainfall
as Nature cooperates to wash the streets with refreshing showers!
In
the morning of the 20th day of the first lunar month, devotees would
transfer the Johor Old Temple deities on sedan chairs to Xing Gong.
The festive mood continues over the next
three days as throngs of devotees converge at Xing Gong where they would also enjoy traditional stage shows of Chinese
operas and musical shows performed in the five dialects.
This
celebration peaks on the 21st day when city roads are closed for the
evening Chingay street parade.
Carried
by devotees from the five Chinese associations, the deities would join this
parade accompanied by lion dancers, dragon dancers, stilt-walkers, floats, puppeteers,
pugilistic troops, cultural dancers and brass bands that may take more than 7
hours to complete.
In the morning of the
22nd day, the deities would leave Xing Gong with similar loud
fanfares of drums and cymbals and return to the temple until the Chingay
festival next year.
Sultan Ibrahim getting ready to beat a drum to officiate the Johor Chingay parade 2016 |
The
presence of Sultan Ibrahim at
the Johor Chingay parade this year marked a major milestone in history as the rakyat witnessed the warm relationship
between Johor royalty and the Chinese community which is rooted in links first established
by Temenggong Ibrahim.
It was just
fascinating to hear shouts of “Daulat Tuanku” along with “Huat ah! (good
fortune) Heng ah! (prosperity)” when the street parade marched past the
grandstand where the Johor Sultan was seated.
Just
as Sultan Abu Bakar continued the goodwill started by his father, this special
bond with the community was strengthened by the next generations of Johor
rulers to this day.
* Photos courtesy of JB Tiong Hua Association, Elizabeth Chan, Thomas Yong and Tony Wong
A version of this was published in The New Sunday Times, Life & Times on 3 April 2016
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