The official opening ceremony for the Museum of the 24
Festive Drums kicked off at 10.10am on 01.01.2020, the first day of the new
decade.
A section of the drumming performance at the start of the official opening event for the Museum of the 24 Festive Drums |
While the commentary was mainly in Mandarin, I managed
to understand the significance of the time and date, 1010-0101 because
visually, these numbers resembled drums with its drumsticks!
The Master of Ceremony for the event started with a
round of introductions and when she mentioned a name, a Datuk or a Datuk Seri,
the person stood up.
Suddenly she spoke in English and as her words registered
in my mind, she next mentioned my name! And I followed suit by standing up
spontaneously!
She continued in Mandarin, announcing names as others
took their turn to stand and wave a “Hello!” and sat down again, until she
completed her list of special mentions.
Tan Chai Puan and the Red T-shirt which members of the original drum troop wore in 1988 |
This was because I was counted among a group of “non-drummers”
who have contributed towards the setting up of the Museum in different ways and
for our efforts, each one of us would be awarded with a Certificate of Appreciation.
During his opening address, co-founder of the 24
Festive Drums’ art of drumming, Tan Chai Puan, pointed to a Red T-shirt,
carefully preserved within a frame with a glass front, and explained that it
was an old T-shirt which was worn by the original drum troop members in 1988.
Then Tan added his signature on the glass and wrote in
two dates: 12 June 1988, for the first date it was worn and 1 Jan 2020, the
official opening date of the Museum.
The plaque signed by YB Liow Cai Tung to officially declare the Museum of 24 Festive Drums open |
After the Museum was officially declared open by YB
Liow Cai Tung, State Tourism, Women Development, Family and Community Committee
Chairman, Tan escorted the YB along with other distinguished guests, including
representatives from the Johor Baru Tiong Hua Association and the five main
Chinese dialect clans on a Museum tour.
Prior to its official opening, Tan had taken me on a
conducted tour of the Museum and highlighted its features so that I could
publish a My Johor Stories on the Museum in the January 2020 issue of The Iskandarian, the official newspaper of Iskandar Malaysia.
For more than ten years, I had the privilege of
working with Tan to share Chinese culture and heritage happenings in the city
quite efficiently because he shared info with me in English and explained
archaic Chinese traditions to help me gain a better understanding so that I
could write it clearly for readers who don’t read Chinese.
I received a Certificate of Appreciation! |
Through my working partnership with Tan, I was able to
share a great deal more about Johor Chinese heritage because he took the time
and trouble, not only to let me experience the events but also provided info
and explanations when I needed it.
In fact, I was writing about the 24 Festive Drums since
2010 and often shared news and stories about drumming events and the bi-annual
drum festivals.
In 2016, Tan invited me to participate with the JB
Tiong Hua Association to provide the English version of the Johor Chingay tradition
that was translated into Chinese and Malay and published in a souvenir book.
The proud heritage of the Johor Chingay was preserved
in this book – in three languages – aimed at educating and informing our
multi-cultural community about this annual Johor tradition that was kept for
hundreds of years without any interruption, except once during the Japanese
invasion.
With Mrs Tan, widow of Tan Hooi Song, her two children and Wong Lee Leng [Left] |
When the Johor Sultan graced the Chingay parade, traditionally
held on the 21st night of the first lunar month, a hardcover version
of this Johor Chingay souvenir book was specially presented to His Majesty on
the stage.
As I got to know Tan and became familiar with his
involvement with the development of Chinese culture and heritage, I decided to
share about Tan Chai Puan, cultural activist, as an exclusive story
under Portraits in My Johor Stories: True Tales, Real People, Rich Heritage.
In 2017, the same year my book was launched, I was delighted
when Tan was also awarded with the prestigious Iskandar Malaysia Social Heroes
Awards in the Arts & Culture (Individual) category.
In 2018 the 24 Festive Drums celebrated its 30th anniversary since its founding in JB by the two Tans, Tan Chai Puan and Tan
Hooi Song.
I had the privilege to witness the reunion of the
original drum troop in a special ceremony held in the forecourt of the Johor Gu
Miao or Old Temple.
After my feature on the 30th Anniversary of
the founding of the 24 Festive Drums was published in the Life & Times
section of the New Straits Times, Tan asked to have this story republished in
their souvenir booklet for the 3oth anniversary celebration.
Bottom Photo shows Tan Hooi Song standing in front of the drum troop like a conductor |
He wanted an English version to be included in the
souvenir booklet so that non-Chinese readers could read and appreciate the rich
heritage of this art of drumming.
When the Association of the 24 Festive Drums organized
a Gala Dinner celebration in Kuala Lumpur for the 30th Anniversary celebration, I was deeply honoured to be among the guests at this momentous
event.
I vividly remembered the emotional moments when
tributes were made to the late co-founder of the 24 Festive Drums, Tan Hooi
Song, particularly when his children played violins in a special performance.
Tan Guang Mei, daughter of Tan Hooi Song, was also in this group photo with Tan Chai Puan and the drum troop |
At the Museum’s opening event, I had the pleasure to
meet with Mrs Tan, the widow of Tan Hooi Song and her two children.
During the pre-opening tour of the Museum with Tan, he
showed me the chronology of the Drums as it developed since 1988 and pointed to
a faded photograph that was published with an early newspaper article.
While the 24 Festive Drums now perform in properly
rehearsed and perfectly synchronized movements, from this old photo, Tan
noticed how the early drummers performed with Tan Hooi Song standing in front of
the troop, like a conductor!
After I highlighted this photo to the Tan children,
Tan Hooi Song’s daughter, Tan Guang Mei, directed my attention to the group photo
of Tan Chai Puan with the original drum troop, taken at the Johor Old Temple in
1988.
I'm honoured to be among the Museum's Working Partners |
It was amazing that (after all these years!) I never
noticed it!
In this photo, standing behind Tan and the first row
of drummers was a little girl and she was none other than Guang Mei when she
was just three years old!
. . .
Since my pre-opening visit, I saw that Tan and his
team had put in the finishing touches to get the Museum ready for its official opening.
At the Museum entrance where the wall plaque announced
in three languages – Malay, Chinese and English – that the Museum was
recognised as a Malaysian Intangible Cultural Heritage, I saw that a separate
section was added to the plaque.
I read the names under the portrait photos of three
people in the Working Team led by Tan, and below it was a group of seven listed
under Working Partners.
Next to the photo of Designer, Ms Wong Lee Leng, was
my avatar and my name, the Writer of My Johor Stories, preserved in a
place of honour here!
Inside the Museum, an exhibit was added to display
several books written in Chinese about Tan Hooi Song.
My book, My Johor Stories: True Tales, Real People, Rich Heritage is opened to the pages that featured Tan Chai Puan |
Next to this collection was my book, My Johor
Stories: True Tales, Real People, Rich Heritage, opened to the pages that
featured Tan Chai Puan, cultural activist!
The
Museum of the 24 Festive Drums is located upstairs at No. 31 Jalan Tan Hiok
Nee, 80000 Johor Baru, Johor. Open daily, 8.30am to 5pm. Closed on Tuesday.
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